Only Good People Launches Music Group with Sony Joint Venture West London 2026

Key Points

• New Entertainment Group Launched: Only Good People (OGP) has officially launched as a multi-faceted company spanning artist management, music publishing, and creative development.
• Unique Operational Bases: The company is headquartered across canalboat studios in West London and operations in Stockholm, alongside a new Berlin presence.
• Executive Leadership: Founded by Giovanni Damiani (Head of Business Development), Sebi Bohnenberger (Head of Operations), and Jay Pidgeon (Board Member), with Stockholm-based Martina Pemac serving as Managing Director.
• Four Interconnected Divisions: The ecosystem comprises Only Good People (management), Only Good Songs (publishing), Only Good Records (record label), and Only Good Studios (production).
• Major Publishing Joint Venture: Only Good Songs (OGS) has partnered with Sony Music Publishing Germany in a new joint venture to expand its European footprint into Berlin.
• High-Profile Management Roster: Represents prominent talent including Goodboys, Fast Boy, James Carter, ODNP, Nu Aspect, Aya Anne, Conor Ross, MOLI, YK Koi, and Josh Grimmett.
• Established Hitmakers: Roster credits include collaborations with Meduza, David Guetta, Megan Thee Stallion, Tiësto, James Hype, and Armin van Buuren.
• FIFA World Cup 2026 Connection: Founder Giovanni Damiani and producer Conor Ross contributed as writers and producers to the official FIFA World Cup 2026 anthem, DNA (More Than A Game).
• Strategic Industry Alliance: OGP has entered a strategic partnership with artist management firm Purple Wall, representing high-profile electronic acts such as Claptone and Patrick Topping.

West London (West London News) August 12, 2026 – A new music company integrating management, publishing, and creative development under a single roof has officially launched from a network of bespoke canalboat studios in West London. Operating under the name Only Good People (OGP), the business functions across London and Stockholm with deep roots in dance music and broad ambitions across the wider global music industry. The enterprise offers a modern infrastructure designed to support talent across four specialized divisions: management, publishing, record releases, and studio production.

Who is leading the executive team at Only Good People?

The enterprise was established by three founding leaders: Giovanni Damiani, who serves as Head of Business Development; Sebi Bohnenberger, holding the role of Head of Operations; and Jay Pidgeon, who serves as a Board Member. Executive leadership across the group’s international territory is headed by Managing Director Martina Pemac, who is based in Stockholm.

Evaluating the current market landscape, Pemac stated that songs now break faster, earn slower, but live longer than at any point in music history. She noted that this shift defines the entire modern music ecosystem, whereas much of the traditional industry remains structured for a legacy model where release dates are treated as singular events and long-term artist development is left solely to record labels.

Pemac explained that Only Good People was specifically constructed as modern infrastructure to solve these demands by bringing management, publishing, and creative development together in one unified business. She highlighted that the publishing wing directly feeds the world’s largest dance music stages while cultivating sustainable long-term careers for creators, emphasizing that the current launch represents just the beginning of the firm’s growth.

How are the four core brands structured within the group?

The group operates through four distinct, interconnected business units tailored to support every stage of an artist’s creative and commercial life cycle:

• Only Good People (OGP): The central management division handling career strategy, brand building, and day-to-day operations for artists, songwriters, and producers.
• Only Good Songs (OGS): The publishing division formed as a joint venture with Sony Music Publishing Germany, establishing a direct corporate footprint in Berlin to manage rights, synchronization, and global royalty collection.
• Only Good Records: The record label arm set up to handle strategic commercial releases and distribution.
• Only Good Studios: The creative production division operating out of canalboat recording spaces in West London.

Who is featured on the Only Good People management roster?

The management division of OGP launches with an established list of electronic acts, producers, and top-tier vocalists. The management roster includes:

• Goodboys
• Fast Boy
• James Carter
• ODNP
• Nu Aspect
• Aya Anne
• Conor Ross
• MOLI
• YK Koi (multi-platinum, BRIT-nominated songwriter and producer)
• Josh Grimmett (Grammy-nominated songwriter and vocalist)

Collectively, the artists and producers on OGP’s management roster hold songwriting and production credits on tracks for major international talent, including David Guetta, Meduza, Megan Thee Stallion, Tiësto, James Hype, and Armin van Buuren. Releases involving OGP talent span major dance and pop labels, including Armada, Insomniac, Warner Music, Sony Music, Island Records, and Positiva.

What achievements define the Only Good Songs publishing division?

The group’s publishing arm, Only Good Songs (OGS), launches alongside its joint-venture agreement with Sony Music Publishing Germany, bridging creators between London, Stockholm, and Berlin.

The publishing roster includes:

• James Newman (BRIT Award-winning songwriter)
• Giovanni Damiani (OGP co-founder, composer, lyricist, and producer)
• Reece Taylor (songwriter)
• Dom Lyttle / Decoy Tunes (multi-platinum producer and songwriter)

In high-profile international sync achievements, OGS composer and producer Giovanni Damiani contributed to the official FIFA World Cup 2026 anthem, titled DNA (More Than A Game), serving as composer, lyricist, and producer on the project. OGP producer Conor Ross also earned official production and programming credits on the international tournament theme.

What is the strategic partnership between Only Good People and Purple Wall?

In addition to its four internal divisions, Only Good People has forged a strategic alliance with Purple Wall, a prominent artist management company. Purple Wall represents high-profile international electronic and house music acts, including:

• Claptone
• Patrick Topping
• Vintage Culture
• Korolova

This partnership aligns OGP’s creative development and publishing architecture with Purple Wall’s touring and global brand scale, expanding cross-collaboration opportunities across the dance music sector.

What is the background behind this particular development?

The launch of Only Good People occurs during a structural shift within the global recording and publishing industries. Historically, major record labels shouldered the financial burden and time-intensive effort of long-term artist development. However, the rise of streaming platforms, social media virality, and rapid release cycles has compressed track lifecycles while altering traditional revenue models.

Songwriters and producers in electronic and pop music increasingly face a fragmented landscape where tracks go viral rapidly but struggle to build long-term financial sustainability. Furthermore, electronic music artists frequently require agile administrative structures capable of managing publishing rights, record releases, live touring, and global sync placements simultaneously. By linking studio facilities in London, administrative leadership in Stockholm, publishing capabilities in Berlin through Sony Music Publishing Germany, and strategic partners like Purple Wall, OGP’s launch represents an industry trend toward boutique, full-service management ecosystems designed to bypass traditional label bureaucracy.

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What does this development mean for the music industry and independent artists?

The establishment of Only Good People and its joint venture with Sony Music Publishing Germany carries significant operational implications for independent artists, songwriters, and the wider dance music economy.

• For Songwriters and Producers: The direct integration of management, studio access, and publishing under one roof reduces friction in commercial negotiations. Creators gain access to international co-writing setups across London, Stockholm, and Berlin without needing to navigate separate corporate entities for studio time, rights administration, or release management.
• For the Dance Music Ecosystem: Dance music relies heavily on vocal features, uncredited top-line writing, and rapid remix cycles. OGP’s model provides structured corporate backing to songwriters and vocalists who have historically lacked centralized representation, helping them secure equitable publishing royalties and high-value brand or sports syncs (such as international tournament anthems).
• For Major Publishers and Labels: The joint venture model demonstrates how major music publishers like Sony Music Publishing Germany are leaning on agile, specialized management companies to scout and nurture talent early in their careers. This Hybrid model is likely to encourage further joint ventures between global majors and independent management houses seeking specialized, genre-focused development hubs.